Cinderella will waltz into the hearts of the entire family and live happily ever after as one . With Brandy Norwood, Bernadette Peters, Veanne Cox, Natalie Desselle Reid. [32] Houston would encourage the singer to "Sing from your gut" as opposed to singing from her chest in order to get her to sing louder. And once you learn that, you don't unlearn it", representing its theme that nothing is impossible. [20] The film was co-produced by Walt Disney Telefilms, Storyline Entertainment and Houston's own production company BrownHouse Productions,[12] becoming the latter's first project and Houston's executive producing debut. "[89], Brandy Norwood reprises her role as Cinderella in the Disney+ film The Pocketwatch, part of the Descendants franchise.[149]. [19][31] Montan, who oversees most of the music for Disney's animated films, had been interested in crossing over into live-action for several years and identified Cinderella as one of the first opportunities in which he was allowed to do so. In the end, Cinderella and the Prince marry in a grand ceremony, while the palace gates close on her stepfamily, forcing them to watch from outside. [96][97], Playbill's Rebecca Paller reviewed the New York screening as "overflowing with star performances, lavish sets" and "lush rainbow-hued costumes", describing its score as "fresher than ever. Cinderella (Brandy) chafes under the cruelty of her wicked stepmother (Bernadette Peters) and her evil stepsisters, Calliope (Veanne Cox) and Minerva (Natalie Desselle), until her Fairy Godmother (Whitney Houston) steps in to change her life for one unforgettable night. [85] Additionally, the popularity of Cinderella boosted the ratings of ABC's television film Before Women Had Wings, which premiered immediately following the program and consequently earned a rating of 19,[78] retaining much of its viewership from Cinderella's broadcast. She's directed music videos, which I'm not turning my nose up at, many directors have started out directing music videos, but it's just not the same thing. [2] Houston remained heavily involved in the film's production aspects, despite being relegated to a supporting acting role, retaining final approval over all creative decisions, particularly its multiracial cast. "[69] Crediting the film with establishing both Brandy and Houston as "icons", the writer concluded that Cinderella teaches "about the limitless nature of storytelling. I know it was important for Whitney to leave this legacy for her daughter. 'Cinderella' Producers Hope Valentine's Day Rebroadcast Hits Big", "Flashback: With Whitney Houston on the 1997 Set of 'Cinderella', "The Cast Of 'Rodgers & Hammerstein's Cinderella' Movie: Where Are They Now", "On the Tube Rodgers and Hammerstein's "Cinderella", "That 1997 'Cinderella' with Whitney Houston and Brandy is the best live-action princess remake", "Cinderella (1997) - Cinderella: the best film versions", "Cinderella's a Sistah Whitney Houston & Brandy Work Multi-culti Magic on TV", "Brandy Tells All: The Stories Behind Her Classic Records", "Brandy gets back in game after sad loss", "10 Things You Didn't Know About Disney's Cinderella", "How Modern Cinderella Adaptations Have Given The Tale's Outdated Feminism A Makeover", "Happy Anniversary, Cinderella.. Times Two! [21] Hoping to relaunch the series using "a big event", Disney CEO Michael Eisner approached Zadan and Meron about potential television projects; the producers suggested Houston's Cinderella, which Eisner green-lit immediately. [122] According to Zadan, Cinderella's success "helped secure a future for musicals in the 'Wonderful World of Disney' slot", whose film company Storyline Entertainment started developing new musicals for the series shortly afterward, including Annie (1999). [4], According to Ray Richmond of Variety, Freedman's teleplay is faster in pace and contains more dialogue than previous versions,[2] although A Problem Like Maria: Gender and Sexuality in the American Musical author Stacy Ellen Wolf believes that the teleplay borrows more from the 1957 version than Joseph Schrank's 1965 version due to sharing much of its humor, dialogue and gender politics with Hammerstein's book. [65] The film was released on DVD on February 4, 2003. [22] For the titular role, Houston recommend singer Brandy, a close friend,[20] in her first major film appearance. You might also like See More Riding High. One of the best Disney movies from the 90s, 101 Dalmatians live-action is based on the book by Dodie Smith. Brandy Norwood, left, and Whitney Houston are part of why "Cinderella" (1997) has withstood the test of time. [20] The filmmakers wanted to prove that Stepmother is not simply "an evil harridan" but rather a "product of bitter experience",[20] for which Freedman himself suggested "Falling in Love With Love". Using all the gifts I've been given as an advocate, philanthropist, photographer, and author, I bring more than twenty years of leadership, fiscal accountability, stewardship, communication, and . This list shows all films released in 1997, including films that went direct-to-video, or only got an international theatrical release. [21] According to Zadan, musical films struggled to sell well on home video until Cinderella was released. "[145] Fuse TV dubbed Brandy's performance as Cinderella "iconic" and "arguably the most groundbreaking portrayal at time," inspiring the character to become more diverse in the following years. [17] The musicians were not interested in completely modernizing the material in the vein of the musical The Wiz (1974), opting to simply "freshen" its orchestration by incorporating contemporary rhythms, keyboards and instruments, similar to the way in which the studio approaches animated musicals. [117] Freedman's teleplay was nominated for a Writers Guild of America Award for Best Children's Script. [37] Meanwhile, the villagers' costumes range in style from "nineteenth-century peasant chic to '40s-esque brocade gowns with exploding collars, bustles, and ruffles. Synopsis: After her marriage to a wealthy businessman (Alec Baldwin) collapses, New York socialite Jasmine (Cate Blanchett) flees to San Francisco. [99][132] Brandy's performance earned her the titles "the first Cinderella of color", "the first black Cinderella" and "the first African-American princess" by various media publications,[32][98][140][141] while Shondaland.com contributor Kendra James dubbed Brandy "Disney's first black princess", crediting her with proving that "Cinderella could have microbraids" and crowning her the Cinderella of the 1990s. With her Fairy Godmother's warning that the spell will only last until midnight, Cinderella leaves for the ball. [16] Houston arrived at the reading several hours late, by which time some of the actors had grown frustrated and weary. Blue Jasmine (2013)91%. [51], Freedman's final teleplay is 11 minutes longer than previous adaptations, in turn offering several opportunities for new songs, some of which the producers felt necessary. [16] In a final attempt to earn Houston's approval, Meron and Zadan enlisted Broadway actors to perform a read-through for the singer, namely La Chanze as Cinderella, Brian Stokes Mitchell as the prince, Theresa Meritt as the Fairy Godmother and Dana Ivey as the Stepmother. 4. [37] Zadan and Meron wanted Houston to end the film with a wedding song for Cinderella and Christopher. With kindness and respect", which some critics identified as the studio's attempt to make the film more feminist. [123] They enlisted Cinderella's choreographer Rob Marshall to direct and making the orphans ethnically diverse. [39] Casting the stepmother proved particularly challenging since most of the white actresses considered for the role felt uneasy about acting cruelly towards a Black Cinderella; Bette Midler was among several actresses who declined. [12] The idea to remake Cinderella for television a second time originated as early as 1992, at which time producers Craig Zadan and Neil Meron first approached the Rodgers & Hammerstein Organization about obtaining the screen rights to the production. [120], ABC began discussing the possibility of Disney producing more musical films for the network shortly after Cinderella's premiere,[83] originally commissioning its producers to develop similar musicals to broadcast every November. [74] One of ABC's promotional advertisements for Rodgers & Hammerstein's Cinderella featured a black-and-white scene from the original 1957 broadcast in which Andrews sings "In My Own Little Corner", which transitions into Brandy singing her more contemporary rendition of the same song, its "funkier orchestration" sounding particularly noticeable opposite Andrews' original. $70.1 million [1] A Cinderella Story is a 2004 American teen romantic comedy film directed by Mark Rosman, written by Leigh Dunlap and starring Hilary Duff, Chad Michael Murray, Jennifer Coolidge, and Regina King. [88] According to Ashley Lee of the Los Angeles Times, Cinderella was the most profitable television film of its time. Our countdown includes it had a huge budget, the stepmoth. Following the success of the 1993 television adaptation of the stage musical Gypsy (1959), Houston approached Gypsy's producers Craig Zadan and Neil Meron about starring in a remake of Rodgers & Hammerstein's Cinderella for CBS. "[37] Rob Marshall choreographed and staged the film's musical numbers,[31][57] which he credits with teaching him how to choreograph dance sequences for motion pictures. [49], Houston originally hoped that the film would earn a theatrical release. [8] In 2007, theatre historian John Kenrick dismissed the film as "a desecration of Rodgers & Hammerstein's only original TV musical" despite its popularity, advising audiences to only watch the previous versions of the musical. Yusof (lahir 14 Julai 1971) atau lebih dikenali sebagai Eizlan Yusof merupakan seorang pelakon dan pengarah Malaysia. I love the fact that millions of children are going to hear her sing 'I can be whatever I want to be.' Cinderella adalah film fantasi romantis Amerika Serikat yang disutradarai oleh Kenneth Branagh, dengan skenario ditulis oleh Chris Weitz.Diproduseri oleh David Barron, Simon Kinberg dan Allison Shearmur untuk Walt Disney Pictures, kisah film ini terinspirasi oleh dongeng Cinderella karya Charles Perrault, dan menggunakan nama-nama karakter dari film Walt Disney tahun 1950 berjudul sama. [40] Despite being more similar to the original musical than the 1965 remake in style and structure, the script's "values and tone" have been updated. [17][26] Brandy, who identified "Cinderella" as her favorite fairy tale,[19] was the first person of color to portray the character on screen,[17][27] with both Brandy and Houston becoming the first African-American actresses to play their respective roles in any screen adaptation of the fairy tale,[28][29] although an all-Black modern-day re-telling of "Cinderella" entitled Cindy had premiered in 1978. Cinderella is a musically-driven bold new take on the traditional story you grew up with. [38] Cinderella has a conversation with the prince in which she explains that a woman should always be treated "like a person. "[104] Leonard also praised the actors' musical performances, particularly Peters' "Falling in Love with Love", but admitted that he prefers the songs used in Disney's 1950 animated adaptation of the fairy tale. [79] Rodgers and Hammerstein's Cinderella was released on VHS February 10, 1998, a mere 101 days after premiere. [46][47], Jason Alexander was cast as the prince's valet Lionel, an entirely new character created for comic relief. [25] In an article for HuffPost, contributor Isabelle Khoo argued that despite the constant remakes that Hollywood produces "no fairy tale adaptation has been more important than Rodgers and Hammerstein's 'Cinderella. Widest Release 3,848 . [76] The film's impending premiere coincided with the launch of the official Rodgers and Hammerstein website, which streamed segments from the upcoming broadcast via RealVideo from October 27 to November 3, 1997. [23] Brandy had been starring on the sitcom Moesha at the time but was still relatively new to television audiences, despite her success as a recording artist. Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother. The Cinderella: Sarah Michelle Gellar The Gist: A critical and box office bomb, this computer-animated film feels a bit like a warmed-over Shrek, combining the Cinderella story with elements from the Brothers Grimm and Hans Christian Andersen.Cinderella must escape from Fairy Tale Land after her power-hungry stepmother (Sigourney Weaver, 71) tips the scales of .
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